Film and Video Editor , Magic Moments, Novi Sad (2018-2021)
During my tenure at Magic Moments, I had the invaluable opportunity to cultivate and apply my adept teamwork skills. Engaging in collaborative efforts, I actively contributed to a diverse array of projects, demonstrating my adaptability and commitment to excellence.
One of the notable aspects of my role at Magic Moments was my active involvement in orchestrating the video projects we undertook. This encompassed not only the technical aspects but also the creative facets, where I played a pivotal role in shaping the vision and direction of our endeavors.
Participating in the planning and execution of these projects, I had the privilege of infusing creativity into each endeavor, ensuring that our videos not only met but exceeded the expectations of our clients and audiences.
These experiences at Magic Moments were instrumental in enhancing my project management skills, refining my creative input, and solidifying my dedication to delivering outstanding results in the realm of videography.
Filmed and edited videos for company's such as Aptiv Novi Sad, Aptiv Leskovac, Schneider Electric, Grundfos, Carlsberg, Future Option, Balkans Security Service, Interreg- IPA CBC (Cornucopia, Xdegree, Identis, Agrinno projects), Delta Tehnik, Fiorano, Garancijski fond AP Vojvodine, JVP "Vode Vojvodine" , and many more.
VIdeo editor, exit festival (2022-2023)
During my tenure as a Video Editor at Exit Festival, I undertook multifaceted responsibilities that significantly contributed to the festival's digital media presence.
I have created engaging short-form videos tailored for social media platforms. These videos served as dynamic promotional tools, effectively conveying the festival's essence and attracting a wider audience.
In addition to creating social media content, I played a pivotal role in producing the festival's main recap and aftermovies. These comprehensive video productions were essential in capturing the festival's unique atmosphere and showcasing its highlights to a global audience.
Furthermore, I had the privilege of working on-site during the festival, which provided me with firsthand experience in managing real-time video production challenges.
In parallel, I also functioned as a Digital Imaging Technician (DIT). In this role, I meticulously managed and maintained the digital image quality during production, ensuring that the visual integrity of the footage met the highest standards.
DISTORTED TIME PRODUCTION (2024- )
